Saturday, October 28, 2017

Interlude: Strasbourg

After 39 years, the writer revisits Paris
  to explore memories and discover whether
   for him there is still there
 8 - 11 juillet 2017


Le TGV travels at 312/kmh to Strasbourg in eastern France, and I’m seated comfortably in a car full of people. Wanting to visit another city to contrast with Paris, I choose Strasbourg for having the tallest Gothic cathedral in the country. Also, I want to ride a train again; last time I used a Eurorail Pass to range from Italy to Denmark. Strasbourg proves to be a restful interlude as its center, Petite France, is a compact island between rivers. I change to lighter shoes and glide over cobblestones as smooth as a close shave.

Hotel de l'Europe is spacious with polished wood floors and open beams in a former 15th century relay station. After the micro-room in Paris, I seem to have permission to stretch and breath. Outside my window is another building across a narrow street and a shard of overcast sky. I imagine snow on rooftops and wooden shutters closed against the cold.

Proximity to everything encourages me to wander nocturnally, and I partake of two tablecloth dinners, the first night at Winstub S'Thomas Stuebel, recommended by the hotel desk clerk. The host is an energetic middle-aged man who goes table-to-table, commenting about the menu and taking orders. I almost choose jarret de porc baraise et gratine au munster but am warned away by the scene at the next table where a woman is visibly embarrassed by the huge knot of meat. “Porte-la chez toi,” suggests the host. Instead I choose fillet mignon de porc au munster along with a carafe of Riesling.

The diners are a mix of locals, tourists and people on business. On the other side of the room sit a dozen clean-cut young men. The city is home to the European Parliament, so when one of the men gives me a long hard look, I conclude they are part of a security team.  
 
Next evening I wander into L'Eveil Des Sens, where the tablecloths are white and the patrons married couples, young lovers and another group of men (older, American) who wear jeans and long-sleeved shirts. My waitress speaks some English, which is helpful as my French diminishes face-to-face with a menu. When young in Paris, believing my stomach could handle anything, I ordered without knowing exactly what I would get and what I did get had a strange texture and might have been tongue or brain. I could not eat it. Since then I approach menus with caution. This meal, from entrée to dessert, is great, and I like looking across the full room through windows onto a sparsely traveled street. It’s after 2000 and I’m angling to attend the sound and light show at the cathedral that starts at 2300.  
 
Earlier, I saw the cathedral in daylight. If back in California I had said, “Let’s meet at Notre Dame,” you’d assume I meant in Paris. In fact there are many churches and cathedrals named for Our Lady and Notre Dame de Strasbourg is only one. Construction on the edifice began in the year 1015 and was completed four hundred years later. I follow narrow streets whose looming buildings deny perspectives of sky and what lies ahead. On entering the square, I’m confronted by the massive cathedral whose rust-brown color appears metallic. I wrench my head to see the pinnacle that at 142 meters is like four football fields stacked end to end. The outward aspect of a rose window is the heart below the steeple and above the main entrance. Tiers and nooks contain stone figures of saints and scenes of the passion play. I sit at a café to study the structure amid the thronging public. Later I go inside where the cavernous cathedral continues to impress. How could the church not have been the center of thought and culture?

A German influence is noticeable among the crowd. France and Germany have contended for and alternately governed the Alsace region and bilingual speakers are common. A pale, middle-aged man in lederhosen passes by and -- forgive me!-- I want to dunk him in water.

My third and last night I eat at a restaurant in la Place des Meuniers. At Torricelli, Restaurant Pizzeria, about 20 diners are seated outdoors, protected by large umbrellas and a rectangular awning against occasional raindrops. The place or courtyard replaced buildings bombed during WWII. In addition to the restaurant and the one next door, residential buildings let onto the court.
                       
A group of children play nearby. A lean man with a short dark beard circles on a bicycle, interacting with them. Before scattering home, they line up along a wall, front feet forward. The man calls, “Eins, zwei, drei,” and they race across the open space to shouts of triumph and disappointment. Afterward, a nine-year old boy comes to the restaurant and is greeted by the proprietor, his father. What a comfort to his parents to watch him play while they’re working.

The mother serves my selection: carpaccio du boeuf with pasta and salad. The carpaccio is membrane-thin circles of beef that might have passed over light, but not heat. With white onions and spicy beans, they taste all right. The rigatoni pasta is the star along with bread and Bordeaux.

Night settles in and la place has the intimacy of a backyard. Son and father relax at a table facing the restaurant, but then the boy shouts “Papa!” and breaks into excited chatter. He runs inside and comes out with a loaf of bread in a basket that he carries to a doorway next door. The bearded man appears and cries out. With his hands he crowns the boy’s head as he kisses his brow. The son returns to the father, and I feel witness to something holy.

Before leaving Strasbourg I take a boat tour, the Batorama, around Petite France and see all the various styles of building, from aquamarine glass of the European Parliament to tanners’ buildings from the Middle Ages, whose large windows swing open to allow leather to dry. Attractions come to me for viewing through the clear plastic roof, which epitomizes my relaxing stay in Strasbourg. 




The links are valid as of the posting date. Advise me of any broken links using the Comments feature. 
Next post in about two weeks.

 


Saturday, October 7, 2017

Day Five: Bells

After 39 years, the writer revisits Paris 
to explore memories and discover whether
for him there is still there


 7 July 2017 - vendredi

Thinking it odd to visit Paris without going to a museum, I plan to go to Napoleon’s tomb at Hotel d’Invalides. But, French President Emmanuel Macron calls for a state funeral at Invalides for recently deceased Simone Veil and the following week would be the July 14 celebration of the French Revolution. With events crowding me, I search Lonely Planet for an alternative and discover  Musee National du Moyen Age:  “Sublime treasures … span medieval statuary, stained glass and objets d’art to its celebrated series of tapestries, The Lady with the Unicorn. Evocatively housed in an ornate 15th-century mansion (the Hotel de Cluny) and the much older frigidarium (cold room) of an enormous Roman-era bathhouse, this is one of Paris’ top small museums.” The venue looks likely to satisfy my fascination for objets predating by hundreds of years the founding of my own country.

Deciding to brave the Metro, I step out of my hotel and am astounded to see --so close at the end of the block! -- the Metro stop for Porte de Clignancourt where in no time a sleek modern car transports me to the Latin Quarter. I exit at Saint-Michel (5e) and stroll down the boulevard of the same name where ancient limestone buildings glow like pale sunlight.

An iron gate leads into a medieval garden cast in shade by sky-climbing flora, where a man is slumped on a bench. The main entrance is around the corner and, being early, I go alone through the white security tent where friendly agents, an older man and young woman, search my backpack and wand me. I cross the courtyard, pay the eight-euro fee and obtain earphones as audio guide.

The 45-foot high frigidarium houses, from Notre Dame de Paris, “the remnants of the Sainte-Anne Portal (circa 1145) and the twenty-one monumental heads from the gallery of the Kings of Juda (circa 1220-1230) buried during the French Revolution…” (Per museum leaflet). On one side, robed and headless figures float in V-formation, as opposite on a shelf rest a quintet of crowned heads, mutely testifying to the violence of the Revolution, all amid the serene setting of Roman arches, brick walls and light from on high.

This is exciting, and then something really rings my bell. The Pillar of the Nautes represents the most ancient stonework discovered in Paris. Commissioned by a league of boatmen as tribute to Tiberius around 14-37 A.D, it originally depicted eight gods and goddesses. Two images struggle to reveal themselves, their robed shoulders and heads outlined in the stone, specific facial features obscured by time. I gaze into the stone, trying to fill in the lines, much like looking into a mirror in search of my younger self.

The nautes serve as link to Paris’ improbable motto: Fluctuat nec mergitur that translates into “She is tossed by the waves, but does not sink;” and to seashell figures on façade of the building (once inner walls of the bathhouse), and to the river Seine connecting with the ocean.     

Unable to detail everything at the museum, I must mention the six tapestries of La Dame a la Licorne. Commissioned in the 1500’s by the LaViste family, each tapestry illustrates the lady and unicorn and one of the five senses (e.g. musical instrument corresponds to hearing). The sixth tapestry is interpreted to depict love and understanding. Prominent in each is the family crest consisting of white crescents on blue band against red background. Themes and artistry surround me, seated on a bench in the middle of a darkened room.

After a peak experience barely halfway through my trip, I eat a fruit salad (pineapple featured) at a nearby brasserie. Passersby are of a younger demographic, many probably students. Then looking for a bus, I catch one that takes me across the river to Place de la Nation, a huge circle in eastern Paris (11e). A connecting bus drops me two long blocks from my hotel. It’s still warm, though not oppressive, and with heavy feet I reach my hotel about 1500.

I discover the AC and try to unwind, aware that this is my last night in the neighborhood; tomorrow, I take the train to Strasbourg for three days. Always antsy the night before travel, I’m torn between returning to The Pizzeria at Place Joffrin to see what Friday night looks like, and staying in to rest and pack. “I had a good day and should leave well enough alone,” part of me says. For hours the argument goes on and my body –as if held hostage—twists this way and that on the comfy bed. I doze, wake and doze again, rising only to turn off the AC. Finally, I come out of my slumber around midnight and realize the issue is resolved. I read and drink chilled water from the mini-fridge. “Il y a assez de temps pour boire du vin et visiter des cafes et brassieries.”




The links are valid as of the posting date. Advise me of any broken links using the Comments feature.

 Next post in about two weeks.